NEWSLETTER
All photographs are copyright of each individual club member.
No photos may be reproduced in any form without the prior consent of the owner.
Download the latest newsletter in PDF format    HERE
CLUB MEETINGS
The club meets at 7.30pm on the 1st and 3rd Thursdays of each month,
in the Royal British Legion Club, Shaw Drive, Kirkbymoorside. Click here for a map.

16th February ARCHITECTURE, RECORD, NATURAL HISTORY COMPETITION
1st March Ian Cameron - Transient Light
ENTRIES - OPEN COMPETITION
7th March 3 Way Battle with Malton & Scarborough (at Scarborough)
29th March Ashley Audio Visual Competition
PROJECT GROUP MEETINGS
Usually meet at Wrelton Village Hall. Click here for a map.
New members are always welcome to come along to the Project Groups.
There is no ‘joining fee’, just a small contribution towards the cost of the room hire.
 The groups are for people who enjoy their photography and would like to share that passion with like minded people.
 Why not come along and give us a try?
Thursday 23rd February Monochrome Group - 7.30 Wrelton Village Hall
Thursday 8th March Creative Group - 7.30 Wrelton Village Hall
Thursday 22nd March Developers Group - 7.00 Wrelton Village Hall
MEETING REPORTS
HAZLEHURST COMPETITION

The competition was judged by Mike Barnard from Bridlington and seventeen members entered.
The images were interesting and varied and no doubt we’ll be seeing some in competitions later in the year. I think most of the photographic genres were covered, architecture, nature, creative, landscape, portraits in both colour and monochrome.
Some were challenging to understand and we are still searching for the kill in Kevin’s ‘Otter with kill’.
For once, after the first round we had a clear winner, James Cavanagh, who only dropped one point on his first 3 images, in joint second place was Kevin Bedford and Tim Thornton.
Mike then gave us his thoughts and scores for the 4 images.
Interestingly two were awarded 10 points, which just goes to show how difficult it is for us to pick what a judge might think are the best images. As a matter of fact if the highest scoring images had been selected as the first 3 the overall result would have been very different.
Such is life!

Hazlehurst Competition Images HERE

PEOPLE, PETS & PERFORMANCE BY RICHARD BOWN

Richard is a member of the GAMMA PHOTOFORUM which is a small group of around 30 enthusiast and professional photographers representing a high standard of Photography. Richard came along to the club on the 2nd February to share some of his images. His people shots were wide ranging from formal posed portraits, candid portraits, street images and sports. His sports images were fascinating too, a number of rugby shots taken of his local club in Harrogate and, since he’s a keen skier, some shots of ski jumpers from below against a clear blue sky. His pet shots were varied also but perhaps the most interesting ones were those relating to performance, some taken at rehearsals for the youth theatre and others at the actual performance, some great shots of a drumming group. There were also some amazing shots taken at a juggling convention.
The presentation was digital but Richard brought along 60 or so prints which were spread around for us to enjoy afterwards.

WHAT MAKES A GREAT CAMERA CLUB?

I think it is the combination of the members, the active photographers and the committee.
The members support the club, they enjoy coming along to the meetings and socialising with other members. They participate whether by entering competitions, helping one and other by sharing experiences, making comments and asking questions at meetings, making suggestions to the committee on what they have enjoyed, or not and what they would like to see going forward.
The active photographers who show their work and enter competitions provide entertainment and inspiration to us all. I believe that seeing good images helps us all to produce better images ourselves and one great advantage of them being produced by fellow members is that they are prepared to share full details of how the image was made, which is a great help.
Finally there’s the committee. No matter how great the members and active photographer are without a great committee the club will not flourish. We are lucky; the individuals who make up our committee are dedicated, they have different talents, skills, expertise and free time that all gel to make a super committee. They do it because they enjoy it, but we must be careful not to take advantage of their goodwill and use emotional blackmail to encourage them to carry on in a role that they have done exceptionally well for ages. This has two downsides, firstly if you feel stuck in a role you may start to regard it as a duty and stop enjoying it, the other effect is that the longer one stays the more it discourages others for volunteering as they think they may be stuck with the job for live. We need more committee members and we need someone to take over some of the secretary’s tasks with the aim of eventually taking over the role. Janet does a great job, not only is she secretary but she maintains our website and also edits and publishes our newsletter. It is too much for one individual (no matter how special and talented they are). So don’t be shy, have a word with Janet about the secretary’s role and with me or any committee member about joining the committee.

Harry

THE GREAT BRITISH CUP

The Great British Cup competition is a national projected image competition for clubs organised by the PAGB.

There are in fact 3 competitions:

Open Competition – for this a club enters 15 images, no author can have more than four images and there must be at least 6 authors. All images are judged as pictorial so natural history images are effectively discouraged. Our entry had images by 10 authors

Small Club – this is for clubs that feel they cannot produce a satisfactory entry for the open competition. 10 images are submitted by at least 4 authors and no one can submit more than 4 images.

Nature Each club may submit a minimum of 3 and a maximum of 21 images The Winning Club will be decided on the aggregate of the 10 highest scoring images. No author can have more 3 images. We entered 16 images by 6 authors.

Since entry was free we decided to enter both the open and the nature competition, we knew that it would be unlikely that we would do well in the nature completion since we only have 3 members that are keen Nature photographers and a few that dabble, but you get a free CD if you enter and that could make an interesting club evening.
We selected our entry from all the entries in the competitions over the last 12 months, we didn’t just look at the top 6 (this is why it is important that we have digital versions of the print entries).
The competitions were judged over the weekend of 11‐12 Feb. Three judges scored out of 5 so the maximum score was 15. In the open competition we came 56 out of 137 clubs with a total of 153 points (last year we were 65 out of 109 clubs). We were the second placed club in Yorkshire. Our highest mark was 12 and lowest 8. Overall 7 images got the maximum score and a handful got scores of 6 or 7. The winning club was Wigan 10 with a score of 197 and the second Beyond Group with a score of 182. This shows the clear quality of the work produced by Wigan 10.
In the Nature competition, as expected, we didn’t do as well. We were 75 out of 120 clubs and our top 10 images got 107 points (a pretty good average). Our highest mark was 14 (well done Kevin with his Shetland Otter) and our lowest 8. Overall 25 out of the 2000+ images got the maximum, 66 got 14 and less than 100 scored 6 or 7. The winning club was (surprise, surprise) Wigan 10 with 141 marks (1x15 and 9x14), the second club was Dorchester with 132 points.
Once again, a margin of almost 1 point per image. They do seem to be pretty good, they have produced a CD ‘The world of the Wigan 10 Photo Club’ and we will get a copy for one of our club evening next winter.
Once again, congratulations and many thanks to those members whose images were selected and thanks to all those members who have entered competitions, your entries bring pleasure to us all.

Harry

    

OPEN IMAGES

NATURE IMAGES
CLUB EXHIBITION 2012

The club will be holding its biennial exhibition of members’ prints at the North York Moors Railway Education Room at Pickering Station between August 31st and September 10th. This provides all members with the opportunity to display a selection of their work and it is hoped that every club member will submit a maximum of three prints into the exhibition.
There is no ‘selection or judging’ of images; subject to the availability of display space all prints submitted will be displayed.
The only criteria for submission is that the prints must be mounted on
Antique White mount board sized at 500mm x 400mm. Also full backing board will be required on the prints to facilitate hanging.
Mount board and backing board are available from the Club and we will arrange a print order in due course.
There is no restriction on the size of the print itself provided it can be mounted within the 500mm x 400mm mount board.
For those who have not previously had the opportunity to mount prints, if there is sufficient interest the club will be holding a ‘print mounting session’ (most probably at Wrelton village hall).
Alan Clark, with the assistance of others, will be organising the exhibition.
We hope, as in previous years, that members will offer their assistance by giving a little time to help supervise the exhibition. We have been asked by the NYMR that the exhibition is supervised at all times.

MORE DETAILS TO FOLLOW IN LATER NEWSLETTERS.

PROJECT GROUP REPORTS
Developers Group - Harry Kingman

The Developers Group net at Wrelton on 8th December. Nine hardy souls braved the elements and 7 brought along images from the last project – Autumn colour. I’m always amazed at the variety shown, obviously trees and leaves both close up and distant, landscapes, ferns, reflections and some firework images – encouraged no doubt by John Wells visit a couple of weeks ago. John showed some firework images with the background darkened as suggested by JW, then we played with some to invert them as shown by JW. Looking at others images always stimulates discussion and some suggestions were put forward as to how they might be improved so we tried the suggestions. One suggestion that kept coming up was to darken the images thereby increasing the saturation of the colours and this is simply achieved by moving the mid-tone slider in Levels to the right. On another landscape image it was suggested that the middle of the image was a bit bland and samey and we thought that by moving the top of the image down to form more of a letterbox the image could be made stronger. We did this by copying the top of the image to a new layer and moving that layer down, then using a soft brush at low opacity we erased the bottom of the layer to remove the obvious join. The image was then cropped. We then went on to look at some of the selection tools and how they are used and what can be achieved after making a selection. We decided that out next project would be Christmas (with a twist maybe), so we look forward to seeing these images when we meet again on 9th February 2012.

Unfortunately the meeting on the 9th February had to be cancelled due to the adverse weather conditions, the next meeting is on the 22nd March.

 

Monochrome Group - Alan Clark

The Monochrome Group met at Wrelton on 12th January and we began by watching a BBC film about the photographer James Ravilious, who died at the end of the last century after spending thirty years photographing rural life in North Devon. If Ravilius had been an American he would probably be hailed as one of the great photographers of the 20th Century. Instead, this quiet and unassuming photographer, who never sought fame, remains relatively unknown, despite producing a huge body of work of the highest quality. Beginning in the 1970s he photographed life in villages and on farms, recording a way of life that had gone from some parts of the country and was fast disappearing in the rural backwater where he lived.
The film showed lots of examples of his work and featured some of the people who he had photographed. They each had a story to tell about James and how he set about photographing them. The only problem was their local dialects, which were sometimes so strong you couldn’t understand a word they were saying! The quality of the photographs and Ravilius’ dedication more than made up for this and this led to an interesting discussion after the film about the importance of documentary photography, and how there is lots of scope for it in our own area of Ryedale.
After this we looked at photographs brought along by members of the group. One of these, by Mike, had been given subtle HDR treatment and this led to an impromptu demonstration by Harry about how to give photographs this treatment.
The next meeting of the Monochrome Group is on 23rd February at Wrelton Village Hall. You don’t have to be a dyed in the wool monochrome photographer to attend. Everyone is welcome. If you have not been before why not come and join us?

Creative Group - Mike Ward

Creative Group 26‐Jan‐2012.
A small but like minded group of people looking at cds about creative photography.
Two e‐mails had been sent to me from David Richardson the other from John Nicoll, these had some amazing photographs.(Check this young man out) 21 year old Swedish Photographer Erik Johansson (just Google his name).
David Ireland brought along The Solihull National Exhibition Acceptances for 2011 some excellent photographs, (you can also see some of these on the net).It was a good night with plenty to discuss.

My weird effort..........."The Wall Flowers".....For those who don't know about" Wall Flowers" it's the name teenagers were given when going to the Dance Halls, and when inside leaning up against the wall and never dancing, just eyeing every one else up.........This was in the 60s.
Mike Ward
 

 
NEWS
 
Ian Cameron 


Ian Cameron is a professional landscape photographer operating under the banner ‘Transient Light’, a term he has adopted to describe light, which for a short duration transforms a scene from ordinary to extraordinary, before returning back to the mundane. His work is widely acknowledged and instantly recognizable. To see examples of his work and the workshops he runs check out www.transientlight.co.uk 
Ian is coming down from beyond Inverness so to cover the additional expenses we are going to invite members of other clubs and have it as an all ticket event. The cost of the ticket includes free entry into a draw for a signed copy of Ian’s book ‘Transient Light – A photographic guide to capturing the medium’. The event will be held, as usual, in the hall at the British Legion Club and numbers have to be limited to 100. So the sooner you get your tickets the better. Tickets are now on sale to members (and their guests) - see Janet and will be on sale to non-members from early November.

 

EXHIBITION

Pat’s Eye
YORKSHIRE WOLDS GALLERY

Willerby Wold Farm, Staxton, N.Yorks, YO12 4TF

4 April to 15 April 2012 (closed Tuesday 10th April)

A selection of work, mono and colour, from Pat Reed, EFIAP, DPAGB,

a successful Yorkshire photographer.

01482 813854

pat@jandpreed.karoo.co.uk