 |
| |
| NEWSLETTER |
All photographs are copyright of
each individual club member.
No photos may be reproduced in any form without the prior consent of the
owner. |
|
Download the latest newsletter in PDF format
HERE |
| CLUB MEETINGS |
The club meets at 7.30pm on the 1st and
3rd Thursdays of each month,
in the Royal British Legion Club, Shaw
Drive, Kirkbymoorside.
Click here for a
map.
|
16th February |
ARCHITECTURE, RECORD, NATURAL HISTORY COMPETITION |
|
1st March |
Ian Cameron - Transient Light
ENTRIES - OPEN
COMPETITION |
| 7th March |
3 Way Battle with Malton & Scarborough (at Scarborough) |
| 29th March |
Ashley Audio Visual Competition |
|
| PROJECT GROUP MEETINGS |
Usually
meet at Wrelton Village Hall.
Click here for a map.
New members are always welcome to come
along to the Project Groups.
There is no ‘joining fee’, just a small
contribution towards the cost of the room hire. The groups are for
people who enjoy their photography and would like to share that passion
with like minded people. Why not come along and give us a try?
| Thursday 23rd February |
Monochrome Group - 7.30 Wrelton Village Hall |
| Thursday 8th March |
Creative
Group - 7.30 Wrelton Village Hall |
| Thursday 22nd March |
Developers
Group - 7.00 Wrelton Village Hall |
|
| MEETING
REPORTS |
| HAZLEHURST COMPETITION |
|
The competition was judged by Mike Barnard from
Bridlington and seventeen members entered.
The images were interesting and varied and no doubt we’ll be seeing some
in competitions later in the year. I think most of the photographic
genres were covered, architecture, nature, creative, landscape,
portraits in both colour and monochrome.
Some were challenging to understand and we are still searching for the
kill in Kevin’s ‘Otter with kill’.
For once, after the first round we had a clear winner, James Cavanagh,
who only dropped one point on his first 3 images, in joint second place
was Kevin Bedford and Tim Thornton.
Mike then gave us his thoughts and scores for the 4 images.
Interestingly two were awarded 10 points, which just goes to show how
difficult it is for us to pick what a judge might think are the best
images. As a matter of fact if the highest scoring images had been
selected as the first 3 the overall result would have been very
different.
Such is life!
Hazlehurst Competition Images
HERE
|
|
PEOPLE, PETS & PERFORMANCE BY RICHARD BOWN
|
|
Richard is a member of the GAMMA PHOTOFORUM which is a
small group of around 30 enthusiast and professional photographers
representing a high standard of Photography. Richard came along to the
club on the 2nd February to share some of his images. His people shots
were wide ranging from formal posed portraits, candid portraits, street
images and sports. His sports images were fascinating too, a number of
rugby shots taken of his local club in Harrogate and, since he’s a keen
skier, some shots of ski jumpers from below against a clear blue sky.
His pet shots were varied also but perhaps the most interesting ones
were those relating to performance, some taken at rehearsals for the
youth theatre and others at the actual performance, some great shots of
a drumming group. There were also some amazing shots taken at a juggling
convention.
The presentation was digital but Richard brought along 60 or so prints
which were spread around for us to enjoy afterwards.
|
| WHAT MAKES A GREAT
CAMERA CLUB? |
|
I think it is the combination of the members, the active
photographers and the committee.
The members support the club, they enjoy coming along to the meetings
and socialising with other members. They participate whether by entering
competitions, helping one and other by sharing experiences, making
comments and asking questions at meetings, making suggestions to the
committee on what they have enjoyed, or not and what they would like to
see going forward.
The active photographers who show their work and enter competitions
provide entertainment and inspiration to us all. I believe that seeing
good images helps us all to produce better images ourselves and one
great advantage of them being produced by fellow members is that they
are prepared to share full details of how the image was made, which is a
great help.
Finally there’s the committee. No matter how great the members and
active photographer are without a great committee the club will not
flourish. We are lucky; the individuals who make up our committee are
dedicated, they have different talents, skills, expertise and free time
that all gel to make a super committee. They do it because they enjoy
it, but we must be careful not to take advantage of their goodwill and
use emotional blackmail to encourage them to carry on in a role that
they have done exceptionally well for ages. This has two downsides,
firstly if you feel stuck in a role you may start to regard it as a duty
and stop enjoying it, the other effect is that the longer one stays the
more it discourages others for volunteering as they think they may be
stuck with the job for live. We need more committee members and we need
someone to take over some of the secretary’s tasks with the aim of
eventually taking over the role. Janet does a great job, not only is she
secretary but she maintains our website and also edits and publishes our
newsletter. It is too much for one individual (no matter how special and
talented they are). So don’t be shy, have a word with Janet about the
secretary’s role and with me or any committee member about joining the
committee.
Harry
|
| THE GREAT BRITISH CUP |
|
The Great British Cup competition is a national
projected image competition for clubs organised by the PAGB.
There are in fact 3 competitions:
Open Competition
– for this a club enters 15 images, no
author can have more than four images and there must be at least 6
authors. All images are judged as pictorial so natural history images
are effectively discouraged. Our entry had images by 10 authors
Small Club –
this is for clubs that feel they cannot produce a satisfactory entry for
the open competition. 10 images are submitted by at least 4 authors and
no one can submit more than 4 images.
Nature
Each club may submit a minimum of 3 and a
maximum of 21 images The Winning Club will be decided on the aggregate
of the 10 highest scoring images. No author can have more 3 images. We
entered 16 images by 6 authors.
Since entry was free we decided to enter both the open
and the nature competition, we knew that it would be unlikely that we
would do well in the nature completion since we only have 3 members that
are keen Nature photographers and a few that dabble, but you get a free
CD if you enter and that could make an interesting club evening.
We selected our entry from all the entries in the competitions over the
last 12 months, we didn’t just look at the top 6 (this is why it is
important that we have digital versions of the print entries).
The competitions were judged over the weekend of 11‐12 Feb. Three judges
scored out of 5 so the maximum score was 15. In the open competition we
came 56 out of 137 clubs with a total of 153 points (last year we were
65 out of 109 clubs). We were the second placed club in Yorkshire. Our
highest mark was 12 and lowest 8. Overall 7 images got the maximum score
and a handful got scores of 6 or 7. The winning club was Wigan 10 with a
score of 197 and the second Beyond Group with a score of 182. This shows
the clear quality of the work produced by Wigan 10.
In the Nature competition, as expected, we didn’t do as well. We were 75
out of 120 clubs and our top 10 images got 107 points (a pretty good
average). Our highest mark was 14 (well done Kevin with his Shetland
Otter) and our lowest 8. Overall 25 out of the 2000+ images got the
maximum, 66 got 14 and less than 100 scored 6 or 7. The winning club was
(surprise, surprise) Wigan 10 with 141 marks (1x15 and 9x14), the second
club was Dorchester with 132 points.
Once again, a margin of almost 1 point per image. They do seem to be
pretty good, they have produced a CD ‘The world of the Wigan 10 Photo
Club’ and we will get a copy for one of our club evening next winter.
Once again, congratulations and many thanks to those members whose
images were selected and thanks to all those members who have entered
competitions, your entries bring pleasure to us all.
Harry

|
OPEN IMAGES
NATURE IMAGES
|
| CLUB EXHIBITION 2012 |
|
The club will be holding its biennial exhibition of
members’ prints at the North York Moors Railway Education Room at
Pickering Station between August 31st and September 10th. This provides
all members with the opportunity to display a selection of their work
and it is hoped that every club member will submit a maximum of three
prints into the exhibition.
There is no ‘selection or judging’ of images; subject to the
availability of display space all prints submitted will be displayed.
The only criteria for submission is that the prints must be mounted on
Antique White mount board
sized at 500mm x 400mm. Also full backing board will be required on the
prints to facilitate hanging.
Mount board and backing board
are available from the Club and we will arrange a print order in due
course.
There is no restriction on the size of the print itself provided it can
be mounted within the 500mm x 400mm mount board.
For those who have not previously had the opportunity to mount prints,
if there is sufficient interest the club will be holding a ‘print
mounting session’ (most probably at Wrelton village hall).
Alan Clark, with the assistance of others, will be organising the
exhibition.
We hope, as in previous years, that members will offer their assistance
by giving a little time to help supervise the exhibition. We have been
asked by the NYMR that the exhibition is supervised at all times.
MORE DETAILS TO FOLLOW IN LATER NEWSLETTERS.
|
| PROJECT GROUP
REPORTS |
| Developers Group - Harry Kingman |
|
The Developers
Group net at Wrelton on 8th December. Nine hardy souls braved the
elements and 7 brought along images from the last project – Autumn
colour. I’m always amazed at the variety shown, obviously trees and
leaves both close up and distant, landscapes, ferns, reflections and
some firework images – encouraged no doubt by John Wells visit a couple
of weeks ago. John showed some firework images with the background
darkened as suggested by JW, then we played with some to invert them as
shown by JW. Looking at others images always stimulates discussion and
some suggestions were put forward as to how they might be improved so we
tried the suggestions. One suggestion that kept coming up was to darken
the images thereby increasing the saturation of the colours and this is
simply achieved by moving the mid-tone slider in Levels to the right. On
another landscape image it was suggested that the middle of the image
was a bit bland and samey and we thought that by moving the top of the
image down to form more of a letterbox the image could be made stronger.
We did this by copying the top of the image to a new layer and moving
that layer down, then using a soft brush at low opacity we erased the
bottom of the layer to remove the obvious join. The image was then
cropped. We then went on to look at some of the selection tools and how
they are used and what can be achieved after making a selection. We
decided that out next project would be Christmas (with a twist maybe),
so we look forward to seeing these images when we meet again on 9th
February 2012.
Unfortunately the meeting on the 9th February had to be
cancelled due to the adverse weather conditions, the next meeting is on
the 22nd March.
|
|
|
|
Monochrome Group -
Alan Clark
|
|
The Monochrome Group met at Wrelton on 12th
January and we began by watching a BBC film about the photographer James
Ravilious, who died at the end of the last century after spending thirty
years photographing rural life in North Devon. If Ravilius had been an
American he would probably be hailed as one of the great photographers
of the 20th Century. Instead, this quiet and unassuming photographer,
who never sought fame, remains relatively unknown, despite producing a
huge body of work of the highest quality. Beginning in the 1970s he
photographed life in villages and on farms, recording a way of life that
had gone from some parts of the country and was fast disappearing in the
rural backwater where he lived.
The film showed lots of examples of his work and featured some of the
people who he had photographed. They each had a story to tell about
James and how he set about photographing them. The only problem was
their local dialects, which were sometimes so strong you couldn’t
understand a word they were saying! The quality of the photographs and
Ravilius’ dedication more than made up for this and this led to an
interesting discussion after the film about the importance of
documentary photography, and how there is lots of scope for it in our
own area of Ryedale.
After this we looked at photographs brought along by members of the
group. One of these, by Mike, had been given subtle HDR treatment and
this led to an impromptu demonstration by Harry about how to give
photographs this treatment.
The next meeting of the Monochrome Group is on 23rd February at Wrelton
Village Hall. You don’t have to be a dyed in the wool monochrome
photographer to attend. Everyone is welcome. If you have not been before
why not come and join us?
|
| Creative Group - Mike
Ward |
|
Creative
Group 26‐Jan‐2012.
A small but like minded group of people looking at cds about creative
photography.
Two e‐mails had been sent to me from David Richardson the other from
John Nicoll, these had some amazing photographs.(Check this young man
out) 21 year old Swedish Photographer Erik Johansson (just Google his
name).
David Ireland brought along The Solihull National Exhibition Acceptances
for 2011 some excellent photographs, (you can also see some of these on
the net).It was a good night with plenty to discuss.
My weird effort..........."The Wall Flowers".....For those who don't
know about" Wall Flowers" it's the name teenagers were given when going
to the Dance Halls, and when inside leaning up against the wall and
never dancing, just eyeing every one else up.........This was in the
60s.
Mike Ward
|
|
|
| NEWS |
|
|
| Ian Cameron |
|
Ian
Cameron is a professional landscape photographer operating under the
banner ‘Transient Light’, a term he has adopted to describe light, which
for a short duration transforms a scene from ordinary to extraordinary,
before returning back to the mundane. His work is widely acknowledged
and instantly recognizable. To see examples of his work and the
workshops he runs check out
www.transientlight.co.uk
Ian is coming down from beyond Inverness
so to cover the additional expenses we are going to invite members of
other clubs and have it as an all ticket event. The cost of the ticket
includes free entry into a draw for a signed copy of Ian’s book
‘Transient Light – A photographic guide to capturing the medium’. The
event will be held, as usual, in the hall at the British Legion Club and
numbers have to be limited to 100. So the sooner you get your tickets
the better. Tickets are now on sale to members (and their guests) - see
Janet and will be on sale to non-members from early November.
|
| EXHIBITION |

Pat’s Eye
YORKSHIRE WOLDS GALLERY
Willerby Wold Farm, Staxton, N.Yorks, YO12 4TF
4 April to 15 April 2012 (closed Tuesday 10th
April)
A selection of work, mono and colour, from Pat Reed,
EFIAP, DPAGB,
a successful Yorkshire photographer.
01482 813854
pat@jandpreed.karoo.co.uk
|